John JoubertJohn


Reviews

"… Joubert deserves an honoured place among the composers who succeeded to the mantle of Britten and Tippett."

Roderic Dunnett

Please click the link to read "John Joubert: an Appreciation" by Kenneth Birkin.


Fellowship of the Stretched String, op.165

Premiere, 1 February 2009, Wigmore Hall, London
Fretwork
with Clare Wilkinson mezzo-soprano

“The last work (John Joubert's Fellowship of the Stretched String) in some ways was the most life-affirming of all. From the swooping cascades of strings into the cleverly interwoven quotations from Dido's famous 'Lament' and 'Che faro senze Euridice' (and even 'Music for a while') it is simultaneously never less than whole within itself. Clearly inspired, Joubert's dance-like conclusion — delivered with delicious brio by singer and strings — would have been a highlight of anyone's programme.”

Music & Vision Daily

Wings of Faith, op.143

Premiere, 22 March 2007, The Oratory, Birmingham
Ex Cathedra · CBSO
Conducted by Jeffrey Skidmore

“A magnificent achievement, fully deserving of the sustained ovation it received. The loudest cheers were reserved for the composer — deservedly so, for Joubert has created a compelling, grippingly scored and cleverly constructed sequel to Bach’s St Matthew Passion.”

Paul Conway, Tempo

“… sounded as gratifying to sing as it was luscious to hear, its unpretentious sincerity was deeply touching.”

Richard Morrison, The Times

“… the warmth of response from a packed, enthusiastic audience must surely have gratified this much-loved composer as much as it touched the hearts of the rest of us … the CBSO was resourcefully responsive to Joubert’s brilliant orchestral writing.”

Christopher Morley, The Birmingham Post

“… a magnificent achievement by any standards… Wings of Faith is a gold nugget – or rather a whole golden garland…”

Roderic Dunnett, Music & Vision

“The composer was on hand to share in the enthusiastic reception of what may well prove to be a necessary addition to the canon of English choral classics.”

Richard Whitehouse, Classical Source

An Hymne of the Nativity, op.146

18 June 2007
Newcastle Bach Choir at the King's Hall, Newcastle

“Joubert's is a rich and varied sound world where dissonance adds expressive depth and rhythm is at once complex and natural sounding. But, however involved the detail, the larger form is always clear, the `sunrise' theme marking the route to a blazing climax.”

Thomas Hall, The Journal


Piano Trio, op. 113

"Joubert's Piano Trio, like virtually everything he has written is shot through with conviction. His use of melody, harmony and rhythm is fused with a logic and cogency that always makes perfect sense … imaginatvely conceived and thrillingly structured."

David Hart, The Birmingham Post, 2007


Four Latin Motets [op. 89], Lines from ‘The Youth of Man’ [op. 90] and Three Portraits [op.97]

"Four Motets, Lines from the Youth of Man and Three Portraits show the composer just as at home with secular as sacred texts. This is choral writing of unusual richness, probably complex but exhilarating to sing, and certainly inspiring for the listener."

Andrew Mayes, The Recorder Magazine, 2007


Prelude on ‘York’, Annual Festival of New Organ Music, Oct 2007

"John Joubert's Prelude on 'York' was a beautifully constructed miniature that reminded us once again of how finely crafted this composer's work always is. It was good to hear it in this his 80th birthday year played with sensitivity by Martin Stacey."

Thomas Hyde, The Organ, Feb-Mar 2008


Oboe Concerto

"Much acclaimed at the Lichfield Festival premiere last July... the Oboe Concerto confirmed its stature as a major addition to the repertoire... throughout there is the genuine engagement of a composer who doesn't know the meaning of note-spinning."

Christopher Morley, The Birmingham Post, 20 March 2008


Last updated: 30 January 2010 · Design: Duncan Designs